Sholay The Making of A Classic - Anupama Chopra
My Rating: 5/5
I have never read a single review so far from Ms Chopra due to her usual controversial opinions (Example: Dhurandhar), and no way I would have picked up a book from her as I had no idea if she had written anything other than this one. For me, she was more of a celebrity wife enjoying her husband’s fame mostly, but this book changed all that for me and has certainly upped her respect a bit, too, in my eyes. Now, this one happens to be on the making of one of my all-time favourite movies, coincidentally, it was released the same year I was born. If I go by my mom’s records, this and Big B’s other movie, “Zanjeer”, were my first two movies on the big screen. And if I am not wrong, I must have seen Shoaly at least a good 25 times by now, with thrice on the big screen, once when it was re-released in the 90’s, second time a decade back in Mumbai when they released its 3D version with my dad and mom and a few months back when they released the Director’s cut version. It is always amazing to watch the movie on a big or small screen, as I know all its dialogues by heart, as Dad had an LP version of its dialogues, which was a rage back in the 70’s, and we would force him to put it on our record player almost every Sunday. With two tower speakers kept at a distance of a good 20 feet in my living room, we ran from one to another as the legendary dialogues boomed from one to another. It was a crazy experience till we watched it for the first time on a big screen. This is one of those very few movies that has aged so well that even today it is able to keep me engaged throughout and still arouses my emotions to a high degree with that classic ending. Now reading this book on the making of the movie was an eye opener of sorts, and I finished reading it two days back and trust me, for the last two days I have been pakaoing my wife and daughter with so many stories and facts about the movie that they have given up on me :).
I guess Ms Chopra had solid access to the classics’ archives, and who in the world will deny her an interview when it comes to her contacts being terrific in the industry? Although I am way too late to read this one, as it was first published in the year 2000 on the movie’s 25th anniversary, and I have read the same on the movie’s 50th anniversary, can you imagine how late one can be :). The entire movie’s journey from four sentences in the minds of Salim Khan and Javed Akhtar to a full-fledged movie was one heck of a story captured in almost 200 pages with some fantastic pictures thrown in as a bonus, although in the paperback edition, the pictures are black and white, and some are not as clear as we expect. I guess one should have got a hardback, assuming it will be better in that. And then, when it comes to gathering star power for the movie, Director Ramesh Sippy tried to get hold of Shatrughan Sinha, Vinod Khanna, and Amitabh Bachchan for the pivotal two characters, which will become legends in the long run. So many replacements and final selections were a topsy-turvy story, and then the final selection of the actor who was supposed to play the baddie, which will become an iconic name in the Indian movie industry - Gabbar Singh, choices were from Danny to Dharmedra himself to lesser-known Amjad Khan. How he selects, later regrets half the way and around the movie’s release and later settles for him with a terrific outcome, which takes its own sweet time in culminating. I couldn’t believe my eyes to read that the movie was a flop initially and later on the public turned back to the movie and never left the theater’s, if the facts are to be believed it ran 5 years straight in some cinemas and kept on running the mattinee show for another few years after it finished its run time and even Ramesh Sippy had to request his distributors to remove it and put his next stylishe James Bondesque movie “Shaan” on big screen. So many stories behind the lovely characters of Gabbar Singh’s right and left-hand men - Sambha and Kaaliya were hilarious as well as heart-touching. Imagine Viju Khote, who plays Kaaliya’s character, his son hated it when everyone around them used to call his father Kaaliya :). I am sure that as he grew up, he must have felt proud of the same.
While the movie was being made, there were multiple love stories going on in real time around the set and location around Ramanagram (near Bangalore), where they set up the whole village for the movie for the duration of almost two years. Sanjeev Kumar had promised Hema Malini and was promptly rejected by her. Dharmendra, too, was in love with her but was already married; his histronics to win her heart were superb stories, and how they made the lightmen rich in those days was hilarious to know. Dharmendra requested Ramesh Sippy to let him play Gabbar, but later, when he was told that in the end, the movie, his nemesis would get Hema, he promptly accepted the main lead role just to get her in the end :). Story writing process from four lines to a half-hour affair, final movie coming out close to seven hours, with a terrific editor at the helm of things, making it a perfect movie. Music Director R D Burman, another legendary figure from the film industry, created music that was never heard before, from the villain’s signature sound to the sound of terror and thrill. It was fantastic to read how he created it. One song which they recorded first but had no space in the movie to shoot it, how it became almost the first item song in an Indian movie and again, Salim Khan wanted to participate in the song because he too was in love with the woman playing “Mehbooba” was super fun to read, what happened in the end - we all know already. I mean, after reading the book in flat 2-3 sittings, I had to follow it up with the movie as that totally changed my perspective of how I had watched it so many times earlier but watching it after this book gave me such a deeper meaning and connect with the classic, I can’t thank enough Ms Chopra for actually writing one amazing book and giving us so many insider stories on the much loved classic. And guess what, I can keep talking about it a lot more, but will stop it here and recommend it big time, especially to those who have loved the movie and still watch it again and again.
Do let me know if you have read this one and loved it. And I need to find out if she has written any other book on the making of any other classic Indian movie. I would definitely look forward to it at the earliest.




